I’m really starting to get into the Women’s Murder Club series now. I’ve read enough of the books to figure out how the interpersonal relationships work between the women (even the new one).
Some things about this particular book in the series:
1. I’m am super happy that so far the “kill off a women, replace her” theme has NOT been continued (yet). It’s a trope that would get very tiring, very quickly. However, I see how it made sense to the plot of the previous book.
2. I’m not sure if I like the two(three?) distinctly different crimes that did not overlap at all. One was introduced immediately, the other a little after. The immediate one finished roughly two-thirds through the book and the other one took over (and wasn’t completely settled until the epilogue).
3. Some part of me knew the prime suspect was just an asshole.
I’ll have to leave my thoughts there otherwise I’ll start spoiling the book, but I think you get the picture. I did really enjoy reading it, and stayed up one night trying to get to the bottom of the first crime. I’ll be reading more!
As I’m reading through this series I’m detecting a little pattern. Each case is connected to a cold case, and in each book Kinsey brushes up against a romantic entanglement. So far the romantic entanglements each have ended differently, which I like because if she ended up just dumping them at the end of the book it would get boring and predictable.
I do like the characters presented in this book, and early on I had a theory as to what was happening, but I dismissed it as Kinsey presented the facts, and then it turned out my theory was right! That’s the reason I like mystery novels, figuring out the plot before the main character does.
I like the character progression that continues from the first novel, and I like that the second novel gives you enough information to just jump right in without having to read the first one. I love that about book series.
I’ve actually read these out of order already. I think I read U is for Undertow(?), because this is my mom’s favorite series. It’s dated in the 1980’s, which she relates to, and I quite like, so there’s none of this new technology, but it’s not so far removed from modern times either.
This is obviously the first book in the alphabet mysteries as they do proceed in order from A to Z, though there is no Z yet. Anyway, introduction over.
This was a good book, I did like reading it. I love crime and mystery novels, and this is a good one, or else there wouldn’t be as many in the series. It ties in a cold case from Kinsey’s past, an innocent person accused of the recent crime, and a nice little plot twist. Very nice. It wasn’t entirely predictable, but Kinsey’s intuitions are pretty spot on. It’ll be fun to see what B brings.
This is a crime ebook from an author I’ve never read before, though I thoroughly enjoyed reading it. There is a lot going on with this one. It’s a police crime novel, but our main character police man isn’t just working one case, he has three(?) at least.
I like that idea, it kept the plot moving, it kept our main character moving, and kept the reading interesting. There’s no real inkling of how it’s going to end, and I liked that too. This is a series, and I haven’t looked at the next book, but I’m left wondering how the series continues on from here.
I’ve been to the library again. I broke out of my mold and picked up three books (which I shouldn’t have done because I was late returning them!). I picked up the next James Patterson book in the series I’m reading. I picked up a book from my favorite romance author, and a classic book I’ve never read.
The 3rd Degree by James Patterson
The Women’s Murder Club returns in a shockingly suspenseful thriller. Plunging into a burning town house, Detective Lindsay Boxer discovers three dead bodies…and a mysterious message at the scene. When more corpses turn up, Lindsay asks her friends Claire Washburn of the medical examiner’s office, Assistant D.A. Jill Bernhardt, and San Francisco Chronicle reporter Cindy Thomas to help her find a murderer who vows to kill every three days. Even more terrifying, he has targeted one of the four friends. Which one will it be?
Everlasting by Kathleen E. Woodiwiss
The reigning queen of historical romance, Kathleen offers her loyal audience an engrossing, medieval love story that is sure to delight them. Abrielle, a stunningly beautiful young lady dreads the marriage her stepfather has arranged. Desmond is an oafish, grotesque, yet wealthy squire and her greedy stepfather can’t see past his wealth. Luckily, a mysterious and handsome Scotsman, Raven, arrives. Abrielle and Raven sense an instant connection. Her beauty and intelligence and his dashing good looks and gentle demeanor complement each other. In an attempt to save the women he loves, Raven approaches Abrielle’s father to ask for her hand in marriage. He is rejected. Will their love prevail?
The Old Man and the Sea by Ernest Hemingway
It is the story of an old Cuban fisherman and his supreme ordeal: a relentless, agonizing battle with a giant marlin far out in the Gulf Stream. Using the simple, powerful language of a fable, Hemingway takes the timeless themes of courage in the face of defeat and personal triumph won from loss and transforms them into a magnificent twentieth-century classic.
Have you been to your local library lately? What are you currently reading?
As with most books that are based on screenplays this book was relatively short to read. It was a wonderfully laid out who-dun-it by Agatha Christie who practically invented the genre. I’m not sure what else to say here as Agatha Christie is a very well known and classic author of the detective novel.
All I can really say is that I’ve been enjoying reading her books, plan to read more as I find them, and now that I’ve read “Spider’s Web” will be looking to find the screenplay version somewhere so I can watch how it plays out.
Another duo from my local library, 2 very different books – one by Agatha Christie, a classic mystery, another by Stephen King someone I’m surprised I haven’t read more of on this blog as he’s one of my favorite authors.
In the bestselling tradition of Black Coffee and The Unexpected Guest, a classic Christy mystery is finally available in novel form. Clarissa discovers a body in the drawing room and must hide it from her husband and the police while attempting to uncover the identity of the murderer.
At first glance, Stephen King’s latest bears a familial resemblance to Christine, his 1983 saga of a haunted, homicidal Plymouth Fury. But From a Buick 8 is a marked departure from this earlier tale of adolescent angst and teenage tribal rituals. It is the work of an older, more reflective writer, one who knows that the most pressing questions often have no answers.
The story begins in western Pennsylvania in 1979, when a mysterious figure parks a vintage Buick Roadmaster at a local gas station, then disappears forever. The police discover that the Buick isn’t a car at all but rather a Buick-shaped enigma: self-healing; impregnable to dents, dirt, and scratches; composed of unidentifiable materials; and containing a completely nonfunctional engine. Confronted with a mystery of unprecedented proportions, the troopers of Barracks D claim the Buick for themselves and spend 20 years attempting to understand its nature, purpose, and provenance.
Over the years, the Buick is the site of a number of inexplicable occurrences, from occasional blinding “lightquakes” to more sinister happenings that suggest this alien object is a doorway to another dimension. King recounts the most dramatic of these with an intensity and attention to detail that evoke a primordial sense of terror, awe, and revulsion. Through it all, and despite the obsessive fascination of those around it, the Buick remains an impregnable mystery. And that, of course, is very much the point. The world, King tells us, rarely stops to explain itself. From a Buick 8 is one of King’s best, mostly tightly focused novels since The Green Mile. With great narrative economy, it encompasses 25 years in the interconnected lives of a diverse group of characters, and its unmistakable, deeply familiar voice is as haunting and engaging as ever. On the evidence at hand, it’s clear that King continues to command the hypnotic power that has made him one of the dominant figures in modern popular culture. Bill Sheehan